Part 3 of my introduction to learning bird songs is now up (click here). In this discussion, tempo refers to the overall “pace” of the song, the number of notes or phrases per second. We describe this as fast or slow, and over the course of the whole song the tempo can be steady or […]
Tempo, and bird song identification Read More »
Pitch is simply our perception of the frequency (or wavelength) of a sound, which we describe as high to low. Birds’ range of hearing is similar to our own, and bird song covers the full range to the limits of human hearing, from the lowest hooting sounds of Great Gray Owl or Spruce Grouse to
Pitch, and bird song identification Read More »
I’ve been aware of some variation in songs of Blackpoll Warbler for many years, and now an interesting post by Andrew Spencer at Earbirding prompted me to check into it a little more closely. Many years ago Will Russell pointed out to me that the birds nesting in Alaska all sang a more rapid series
Does Blackpoll Warbler have song dialects? Read More »
23 Jun 2011 – Concord, MA Sitting at my desk today I was roused by a bird call that I did not immediately recognize. This is a very rare occurrence for me, especially at my house where I spend many hours every day, and I know the birds that are here very well. As the
A Korean translation of this post is here With the recent surge in the availability of digital audio devices, the use of playback to attract birds into view has increased exponentially. This has fueled an ongoing debate among birders about the ethical issues surrounding the use of recorded bird songs in the field. There is
The Proper Use of Playback in Birding Read More »
On 5 April 2011 in Concord Massachusetts I was walking the edge of a field where I often go birding, and heard very distinctly the sputtering call of an Eastern Kingbird. It was about four weeks early for that species, and I assumed it was a European Starling mimicking from the trees above me, but
Vocal copying by American Robin Read More »
If you’ve followed any of the discussions about identifying Red Crossbill call types, you may have given up on taking an active role in crossbill study, thinking that it would require thousands of dollars worth of recording equipment and computer software. Well, that is simply wrong. Most people can enter the field and start identifying crossbills
You too can record and identify Crossbill call types Read More »
In a recent post on his excellent blog Earbirding, Nathan Pieplow points out an issue with the voice description of Buff-collared Nightjar in the Sibley Guide to Birds, which says: Song of rapid, sharp, dry chips in crescendoing series tup to to tu tu ti ti trridip accelerating and rising to flourish at end; pattern similar to
Kingbirds, nightjars, and the perception of bird sounds Read More »
After listening carefully to Pine Siskins this year to pick out the calls of other species (see my earlier post) I have run across several other mimics. In early June in Arlington, Massachusetts I heard a remarkable American Goldfinch song that incorporated several phrases of a Song Sparrow song along with Northern Flicker and I
More vocal copying by American Goldfinch, Purple Finch, and Ovenbird Read More »
[10 July 2009 – update added at end] In July 1990 I spent several weeks birding in west-central British Columbia, where Pine Siskins were one of the most conspicuous birds, and I became convinced that Pine Siskins were copying the sounds of other species of birds and incorporating these sounds into their songs. I was
Vocal copying by Pine Siskins Read More »